Tuesday, March 24, 2009

Brother Cesare Bonizzi

I've been thinking about Brother Cesare Bonizzi, the heavy metal monk, since yesterday's blog post. Yesterday's post was titled 'Mentoring' for a reason. There's a laundry list of things I'd like to learn from him. He's fearless. Oh, I'm sure he has some fear. But how much fear can a 62 year old monk who performs heavy metal music ON STAGE have? He's ageless. In our culture, most 62 year olds have bought the recliner that they intend to die in. Not only is Cesare listening to a genre of music that is almost exclusively enjoyed by youth... he's SINGING it! He's in integrity. Cesare's work as a brother and his passion for metal seem to be in integrity. Here's a type of music that is often judged to be evil, and he's incorporating it into his life and work, making it holy.
"I do it to convert people to life, to understand life, to grab hold of life, to savour it and enjoy it. Full stop"
I want to be just like Brother Cesare when I grow up!

Found Images: From absurd to delightful.





I found these gems here.

Monday, March 23, 2009

Mentoring

When I grow up, I want to be just like Brother Bonizzi!

Wednesday, March 18, 2009

Compassion

My mission is to 'Create a world of safety and wholeness with my loving compassion.' This video makes me wonder if I'm doing enough.

Morning Poem

FIND A BETTER JOB


Now

That

All your worry

Has proved such an

Unlucrative

Business,

Why

Not

Find a better

Job.

Tuesday, March 17, 2009

Poem

Civilization

by Carl Phillips March 23, 2009

There’s an art

to everything. How

the rain means

April and an ongoing-ness like

that of song until at last

it ends. A centuries-old

set of silver handbells that

once an altar boy swung,

processing . . . You’re the same

wilderness you’ve always

been, slashing through briars,

the bracken

of your invasive

self. So he said,

in a dream. But

the rest of it—all the rest—

was waking: more often

than not, to the next

extravagance. Two blackamoor

statues, each mirroring

the other, each hoisting

forever upward his burden of

hand-painted, carved-by-hand

peacock feathers. Don’t

you know it, don’t you know

I love you, he said. He was

shaking. He said,

I love you. There’s an art

to everything. What I’ve

done with this life,

what I’d meant not to do,

or would have meant, maybe, had I

understood, though I have

no regrets. Not the broken but

still flowering dogwood. Not

the honey locust, either. Not even

the ghost walnut with its

non-branches whose

every shadow is memory,

memory . . . As he said to me

once, That’s all garbage

down the river, now. Turning,

but as the utterly lost—

because addicted—do:

resigned all over again. It

only looked, it—

It must only look

like leaving. There’s an art

to everything. Even

turning away. How

eventually even hunger

can become a space

to live in. How they made

out of shamelessness something

beautiful, for as long as they could.


I found the poem here.

Tuesday, February 24, 2009

Poem

Sometimes a poem grabs me by the shoulders and shakes me awake. This is one of them.

Sunday, February 22, 2009

Repost - After you watch/read the news... Read This!

"We are experiencing the initiation of the human race into a new level of consciousness, and that is a very terrifying experience. It does no good to turn and run from the terror of our darkness into light; we must sit it out: zazen.

"We must take our counsel from The Tibetan Book of the Dead and realize that these frightening projections of famines, economic disasters, ecological catastrophes, floods, earthquakes, and wars are all only the malevolent aspects of beneficent deities. If we sit and observe them, do not identify with them, but remember our Buddha-nature, we will not be dragged down by them into an incarnation of the hell they prefigure.

"If we run from them, we validate them; we give the projections the very psychic energy they need to overtake us. Then, as Jung has pointed out, the situation will happen outside as fate."

- William Irwin Thompson, Evil and World Order

Tuesday, December 16, 2008

Deadwood - Visual Pacing

I've been enjoying Deadwood, the HBO series via Netflix. I was watching the last few moments of a season two episode when I was taken by surprise the closing sequence. The sequence seems fat with dialogue and emotion while being entirely wordless. The pacing is boldly slow and deliberate. What I enjoy the most is that the sequence seems to be cut entirely visually, without regard to the music.